Thanks to the folks at the Nutter Crew, we can see a realistic approach to the Creative Process.
Pardon the language but I agree with this timeline. Right now I’m in the Panic and All the Work while Crying stage, two days from the Deadline. I have a few suggestions for the times when you know that work has to get done, but it seems like you have PLENTY of time when you’re in the Fuck off stage.
- Clean the Studio.
- Write your blog.
- Visit your homies on facebook.
- Watch your favorite Netflix series (Downton anybody?).
- Talk on the phone. A good time to catch up with the news.
- Go to the movies.
- Eat out every night.
- Send out invoices so you earn the money to move ahead with the project.
- Wait till the last minute to make the money to do the following:
- Order the frames.
- Order the mattes (32×40 sheets are the biggest bargain).
- Order the glass (who is cutting it to size?).
- Order the printing paper and cartridges.
- Make the prints.
- or Better yet, send them to a service bureau and wait for them to arrive.
- Do all your ordering with 2-3 day shipping and get reamed.
- Start the project.
- Edit the portfolio
- Choose final images
- Mess up the studio with the packaging from all those deliveries.
- Have the fun of making your art important.
- Remember that you love to work on your art.
- Lock the studio door.
- Turn up the volume.
- Burn the midnight oil.
- Get er done.
I have an exhibition set for delivery this coming Saturday, but I can stretch the deadline until Monday. Another delay tactic? I’m excited to be showing black and white prints of explorations in the Canyon Country and the Colorado Plateau. I live in Durango, and as you may know, I travel to Arizona, and Utah often. My collection of images from the Four Corners is large and editing the portfolio has been the most difficult. This exhibition is by invitation and I feel honored to be chosen. One of my favorite writers, Craig Childs, will be at the opening reception, and these images are to complement his slideshow and lecture about the Colorado Plateau, Land of Ghosts, Travel in Ancient Places
With two days left to complete the portfolio, I’m on target. All the images are scanned from 4×5 negatives and chromes, the color images have been edited for grayscale in Photoshop. I round-tripped from Lightroom to Photoshop in order to mix the red and green channels to my liking. The black and white negatives were scanned and edited directly in Lightroom. Each scan was about 190MB, 400dpi (so I could crop if needed) and output to 16×20 prints, matted to 20×24 frames.
- What I Learned From Entering an Art Exhibition (osu.uloop.com)
- My first solo exhibition Details here! (katyjadedobson.wordpress.com)
- Photographer to showcase rock-n-roll images at the Merc in Old Town Temecula (swrnn.com)