Capture the best information
When I capture an image, at the location, I pre-visualize the post production. I learned when studying Ansel Adams, the Weston Family and John Sexton. In the camera, we capture the detail needed to create an interpretation of it later. In the past, using film, I used the mantra “expose for the shadows, develop for the highlights”.
Digital cameras do a great job of recording a broader range of tones than black and white and color film, but it’s still important to remember that if you are lacking detail in the file, although not impossible, it’s harder to “get it” later.
My thinking process in the field runs something like this:
On location, in the camera
- Seduced by the light, I choose the proper lens for the composition.
- Many times my hot spot on the lens is somewhere around f16-22. I like deep depth of field when the subject calls for it.
- Evaluate the highlights and see how much underexposure they will need. Clouds in particular need quite a bit of underexposure to hold detail.
- Let the shadows fall where they will. Oftentimes the LCD view of the images will show and image that looks too dark and lacks shadow detail, but this is where digital captures really shine.
Upload and Process the RAW files.
In the LIGHTROOM, I still use the important technique of proper edit, exposure, development. Mike Yamashita, a National Geo Photographer once told me that if I get any more than 4 good images on a roll of 36 exposures, my standards are too low.
Using Adobe Lightroom:
- Import from SD or CF Card, add keywords, copyright, organize.
- Run through the first edit for out of focus, overexposures, boring images. (x-mark for rejection). Be honest but not brutal.
- Create Collections of my favorites from that photo adventure.
- Begin using the Develop Mode.
- In Develop Mode I open the panel (Command/Control D)and usually begin with exposure, white balance and contrast adjustments, saturation and clarity are also important.
- These days I like the fine tuning available to me in the HSL Panel. Sometimes when warming up and image the sky turns a bit aqua so HUE is the adjustment. Specific saturation is then applied to hues in the image, and I really like the ability to adjust LUMINANCE at will on individual colors.
- Compare these adjustments to those we used to employ in the DARKROOM, like dodging, burning, edge burning, contrast filters, etc.
As you can see from this example, the RAW file looks bad, boring, and dark in the shadows while overblown in the highlights. But since I underexposed by 1/3 EV, the highlights maintained detail as I had planned. I knew it “felt” like a warm subject, so I interpreted it with a bit of saturation, clarity, highlight recovery and added a vignette. I often use a vignette to create a subtle or not so subtle darkness at the top of the photo.
In the case of stormy weather, the white balance tilts closer to cool. And I tend to respond to warm tones better so I often adjust the white balance and tint accordingly. Interpreting landscape to “feel” like it did to me at the capture is my constant challenge, and when I achieve it, my great joy.
- Most of my photos are either under or overexposed to hold shadow or highlight detail. I use Aperture priority mode and the exposure bias button.
- I use AUTO White Balance and if I need more warming or cooling, I use Lightroom’s develop mode.
- In the camera menu I set the picture control to VIVID, this gives me a tad more saturation and contrast in my jpegs (choose high quality jpeg if you don’t care for post-production)
- I prefer ISO 100 for large prints, but will sometimes photograph using higher ISO when I’m not pre-visualizing a print.
- I photograph using RAW and normal jpeg
- I edit the RAW capture using Adobe Lightroom