Follow Your Muse in Our National Parks

Reflections

I wrote a few blog posts with information about applying for the Artist in Residence programs at our National Parks.  And I’ve blogged a bit while at Crater Lake and Acadia National Parks.

And here’s a terrific time lapse by a young artist who worked for 6 months on this project: Downeast: Acadia National Park, Schoodic Peninsula.  I share because I’m completely inspired.  And part of any residency is to explore what others have created.  Thanks Tade Yoder.

I thought readers might enjoy a bit of information about once chosen, what is involved in an Art Residency.

Following the Muse

More than anything else, a residency is a gift of time; time away from everyday distractions.  Although much of my life is spent following my bliss, a typical day in residence differs from my life at home.  The biggest difference is I’m solo.  I enjoy solitude, as I hope you do if you plan to apply for Art Residencies. I see comfort with self-scheduling to be imperative and fun.  For two to four weeks the immersion in the land, the connection with the light, the calling of the sea, the forest, the lake, the sky, and setting a pace that honors those connections is the primary focus.

I can’t say there is a typical day, but generally, I wake up when ready, check email and social networks over a cup of coffee, evaluate the sky, write a bit, head to the studio or on location and follow my bliss.  What is my bliss?  Responding to my inner artist, the voice that tells me where to photograph, hike, explore, watch rocks grow old, enjoy waves pounding the coast.  Some days I head to my favorite (so far) trail, with my iPhone as my sketchbook.  On other days, I walk to the studio, where I paint. And in the past few days I have played with drawing and made some watercolor and oil pastel sketches too.

And as part of the residency, a requirement is to share with the local communities, to show work or to teach.  I taught at a middle school and the young artists responded very well to the inspiration and lessons.  I was thrilled to be in the classroom again. More to follow about that.

This week at Acadia National Park

A few days ago I woke up to fog, so quickly grabbed rain gear and headed for the coast.

Fog on the Coast of Maine

My next mission at this location is high tide. I’d love to see a strong, incoming tide prove to me how this coastal scene was formed. ©Kit Frost

And last night, as the sun approached the horizon, about 2 hours before setting, I scouted at Schoodic Point.  Initially I was hoping to photograph the incoming tide, but instead, I responded to the pools of water left behind after a recent rain.

A favorite subject, working with reflections. Pools of rainwater reflect the pink granite of the Maine Coast ©Kit Frost

A favorite subject, working with reflections. Pools of rainwater reflect the pink granite of the Maine Coast ©Kit Frost

Here’s a link to some more work created while in residency at Schoodic Peninsula, in Acadia National Park.

Next blog: What I’ve learned, and giving back to our Parks.

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3 thoughts on “Follow Your Muse in Our National Parks

  1. and beware of the whole, it was over for me thing. If it was, she should have ended it with me before she started with you. It seems to be a pattern for her.

  2. You should reflect on who you’re with. I may come across as the scorned ex-lover but I wasn’t an ex when she hooked up with you. In fact, she said you were only giving her photography lessons. I had nothing to worry about. To top it off, when she spent her first time alone with you, she had me at home house taking care of the animals.
    I loved her whole heartedly and she ended up treating me like Sh**. Good luck

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