2019, Fall Color Photography Lessons

Capitol Reef National Park, October 2019

Join us for two days of photographing the Splendor of Wingate Sandstone and Fall Color in Capitol Reef, and Boulder Mountain Aspens in Utah.

We will create amazing photographs as we “loop the fold” following the Waterpocket Fold, from the Fruita District, to Boulder Mountain to the Burr Trail and beyond.  Bring your favorite camera gear, camp, or we can suggest accommodations in nearby Torrey, Utah.

Kit Frost will teach you her favorite photography and post-production techniques to capture the Gold.  Kit spent 14 weeks at Capitol Reef and knows the Park very well.  There are slot canyons, huge Navajo and Wingate Sandstone Walls, Orchards and the Park is an International Dark Sky location.

Contact Kit Frost for more information and to confirm 2019 dates for the best locations for golden color in Capitol Reef.

Advertisements

Fall Color Photography Lessons, 2019

Photograph Fall Color in Fabulous Southern Colorado

October 14-15.
Our Two Workshop in the San Juan Mountains of Colorado

Let us teach you how to photograph grand landscapes like this one between Durango and Silverton, Colorado. ©Kit Frost

Let us teach you how to photograph grand landscapes like this one between Durango and Silverton, Colorado. ©Kit Frost

Our Colorado Fall Color Photography Workshop takes place in the San Juan Mountains.  Round-trip from our accommodations at Cascade Village, we take you to our favorite grand and intimate scenic locations throughout Southern Colorado, stopping along the way to teach lessons such as:

  • Composition for the Grand Colorado Landscapes
  • Photographing Aspens in the Forest
  • Patterns and Textures of Aspen
  • Working with Depth of Field and Shutter Speed.
  • We make sure you’re familiar and comfortable with YOUR camera.
Photographing in and around aspen forests is a fun, learning experience on our Fall Color Workshop. ©Kit Frost

Photographing in and around aspen forests is a fun, learning experience on our Fall Color Workshop. ©Kit Frost

Day One finds us exploring the landscapes, light and aspens between Durango and Silverton, we explore locations for lessons at the Pigeon, Turret view, along Lime Creek Road, Molas Pass.

Skills learned:

  1. How to properly use YOUR camera to combine f-stop, shutter and ISO to make your images sing.  Discussion of what makes a good photo into a great photo.
  2. Aperture control for depth of field
  3. Shutter control for those “quaking” aspen.
  4. Choosing back-lighting, front, and side lighting to improve your photography

Day Two After an early check out of our accommodations, we continue chasing the fall color and mountain compositions that “call our names”.  We teach you to improve your photography skills.  Digital video instruction (optional) will be demonstrated as we make our way through the mountains, creating short video clips of your adventure, the forests, time lapse of the grand and intimate scenes.

We travel up and along the scenic highway from Silverton to Red Mountain Pass, Owl Creek Road to Silver Jack Reservoir.  The Cimmaron Mountains are our backdrop as we explore “near-far” relationships in the autumn landscape.  At sunset we will photograph the Sneffels Range from Dallas Divide, a must see fall scene in Colorado. Learn what composition skills are needed to isolate beauty in the “big” scene. This workshop ends at 5pm on Day two.

Skills learned:

  1. Using leading lines in your photos.
  2. Create near-far compositions and learn to select the proper f-stop
  3. Working with exposure compensation (+-)
It's always surprising to see the mix of color in our golden aspen forests. Let the landscape show off to you and photograph this awesome display. ©Kit Frost

It’s always surprising to see the mix of color in our golden aspen forests. Let the landscape show off to you and photograph this awesome display. ©Kit Frost

The Amazing Autumn Color  of Red Mountain Pass

The Amazing Autumn Color of Red Mountain Pass

Tuition and Accommodations

Accommodations in Durango are at Cascade Village where we share a 3 bedroom Condo.  Once registered for our Fall Color Photo Workshop, we’ll pass along more information about suggested gear, clothing. Click here for Kit’s suggestions for adventure gear.

Tuition, includes expert photography instruction, accommodations, light beverages and lunch at our photo locations. $1200. for two days

A light dinner will be served on our first night, and breakfast and lunch on day two.

For more information about fall color in Colorado.

And Why Leaves Change Color

And while in Durango.

Join us for our Adobe Lightroom class after your workshop,

Learn to upload, edit and sequence, title and add music to YouTube and Facebook videos.

Photography locations in the Southwest USA

This year I retired from my day job.  Don’t get me wrong, I work, it’s just no longer for “da man”.  Instead I continue to be the Director of Chase the Light Photography in Durango. I teach private and group photography lessons in my studio as well as on location. In the studio I teach digital camera instruction as well as Adobe Lightroom post production and digital video.  In the field, we have been out to photograph Fall Colors, Grand and Intimate Landscapes, Zion National Park.  I have made some personal excursions to Ghost Ranch in Abiquiu, New Mexico and to the Valley of the Gods, Utah.

Inspiration is everywhere. Locations in the Southwest USA

Every fall I get the internal tug to “get out and stay out”.  During September you can find me teaching Aspen Photography lessons in the Mountains of Colorado. Here are a few examples of location photography near Ouray and Ridgway.

We stayed at Silver Jack Reservoir long enough for the storm to clear.  As the sun began to get lower in the sky it revealed moments of fall loved across the lake. ©Kit Frost

We stayed at Silver Jack Reservoir long enough for the storm to clear. As the sun began to get lower in the sky it revealed moments of fall loved across the lake. ©Kit Frost

Telluride. We all photographed while lunch was being prepared on our Fall Photography Workshop.  This image was taken while protecting the camera gear from the drizzle. ©Kit Frost

Telluride. We all photographed while lunch was being prepared on our Fall Photography Workshop. This image was taken while protecting the camera gear from the drizzle. ©Kit Frost

It rained so hard during the night that waterfalls I've never seen were flowing in Ouray.  Slow Shutter speeds and an umbrella make these images possible. ©Kit Frost

It rained so hard during the night that waterfalls I’ve never seen were flowing in Ouray. Slow Shutter speeds and an umbrella make these images possible. ©Kit Frost

In this lesson, students practiced looking through the warm aspen leaves into the cool landscape of the distant ridge. ©Kit Frost

In this lesson, students practiced looking through the warm aspen leaves into the cool landscape of the distant ridge. ©Kit Frost

Ouray-2014-563

The assignment here is to experiment with including the forest floor for texture and color. ©Kit Frost

 

Location: Ghost Ranch

Abiquiu, New Mexico is home to amazing landscape, and known as the location for many of Georgia O’keeffe paintings and her home at Ghost Ranch.  While at

Ghost Ranch I felt like I was in an O’Keeffe painting.  I was gifted with a week of oil painting lessons, and while I explored the genre of painting, I also hiked, biked, and photographed.  Inspired by the land, seduced by the color and light, I can see why artists flock to New Mexico.

I was obsessed with making an image of these trees high up on the base of this sandstone cliff. ©Kit Frost

I was obsessed with making an image of these trees high up on the base of this sandstone cliff. ©Kit Frost

Pedernal dominates the background while cottonwoods reflect in a pond. ©Kit Frost

Pedernal dominates the background while cottonwoods reflect in a pond. ©Kit Frost

Juicy Cottonwood in Bloom along the Box Canyon Trail. ©Kit Frost

Juicy Cottonwood in Bloom along the Box Canyon Trail. ©Kit Frost

Another version of my passion for this light, subject and composition.  Along the Box Canyon Trail, Ghost Ranch. ©Kit Frost

Another version of my passion for this light, subject and composition. Along the Box Canyon Trail, Ghost Ranch. ©Kit Frost

Location: Zion National Park

From October 26 through November 8, I was in Zion National Park.  I love Zion.  Artistically as muse for me, the park is accessible, stunning and grand.  There are opportunities for easy, moderate and strenuous hikes.  The shuttle system is wonderful and as a tourist as well as artist, being able to hop off and on at will is great.  My only complaint is that during my visit I had to change campsites three times.  Their online reservation system is used by lots of folks and it takes time and effort to move that many times in one visit.  I will try to book my fall Zion travel early and get a single campground (there’s a 6 month reservation window).

As I was headed back to camp on the shuttle, I spied this clearing storm over the Patriarchs.  I underexposed dramatically to hold cloud detail and opened up the shadows in Lightroom

As I was headed back to camp on the shuttle, I spied this clearing storm over the Patriarchs. I jumped off the shuttle and made a bunch of images. I underexposed dramatically to hold cloud detail and opened up the shadows in Lightroom ©Kit Frost

Some of my favorite locations were challenging to photograph this year.  I prefer stormy skies to boring bluebird skies.  Changeable light is my favorite as is the intimacy of hiking and biking along the trails, stopping for image making.

How wonderful to be at the Court of the Patriarchs during a somewhat clearing storm. ©Kit Frost

How wonderful to be at the Court of the Patriarchs during a somewhat clearing storm. ©Kit Frost

While hiking in a off the beaten road location at Zion, we walked along a creek that had some "stuck" tree trunks.  Wow, what storms must have brought those through this wash. ©Kit Frost

While hiking off the beaten path at Zion, we walked along a creek that had some “stuck” tree trunks. Wow, what big storms must have brought those through this wash. ©Kit Frost

I like to work with quiet subjects like fall trees and leaves against sandstone. ©Kit Frost

I like to work with quiet subjects like fall trees and leaves against sandstone. While many of the trees in Zion did not display peak fall colors, a few had finished dropping their leaves. ©Kit Frost

Here’s a video sequence of some of my photos from Zion National Park, 2014.

Photographing water and wind

A few weeks ago, while photographing in Zion National Park, two issues came into play in making this photograph.  Shutter speed and wind.  First, in order to show the “lines” of flow in water, I like a slow shutter speed (and love the digital preview to check it).  And second, wind blowing the secondary subjects can mean that the photographer must be patient and wait for the best moment to press the shutter.

Sometimes I do get to places just when God’s ready to have somebody click the shutter.”  Ansel Adams

You can see by this image that the wind was blowing the trees on the other side of the river.  I like how the water flowed over the rocks and the feeling of action in these images, but prefer the bottom image because it captured the leaves and branches  as well as the flow of the water.

In this capture, the leaves were blown by strong, gusty wind. ©Kit Frost

In this capture, the leaves were blown by strong, gusty wind. ©Kit Frost

Notice the Golden leaves across the creek in this image they are sharp and NOT windblown. ©Kit Frost

Notice the Golden leaves across the creek in this image they are sharp and NOT windblown. ©Kit Frost

There were about 12 other photographers working this subject along with me.  We enjoyed each others’ company and chatted while waiting for the wind to calm down.  I set my camera up, locked on the cable release, and enjoyed the moments of wind, and then the moments of quiet.  The shutter speed I chose, after a few trial images, is 1/8 of a second, and I chose f25 for deep depth of field; to capture detail across the Virgin River.  While there, many people stopped, took a quick photo, and left.

Related articles

Fall Color and the Big Scenes in Zion National Park

I just returned from 5 nights in Zion National Park. I camped at the Watchman Campground.  The weather forecast predicted rain and show at higher elevations, my kind of trip.  What I love about photography in general is the excitement I feel when planning a trip, getting on the road, and then I feel like a kid in a candy store when I get to the location.  When rain is in the forecast in the Southwest it usually is accompanied by beautiful clouds, cumulus, and if I’m lucky, cumulus- congestus too.   This trip was like that.  I drove my camper from Durango to Lake Powell, stayed one night at the Wahweap Campground, took off for Zion in the morning.  And each day that the weather stayed changeable, I enjoyed playing with light and cloud shadows in my photographs.

As you can see by the scene below, the cottonwoods in and along Highway 9 through Zion were really stunning.  Closer evaluation shows that it’s really about a week late for full bloom.  But there are plenty of opportunities to get your “fix” of fall color in Zion.

Photographing the Big Scene

What do you think?  Compare these two images and comment on the "right time" to press the shutter. ©Kit Frost

What do you think? Compare these two images and comment on the “right time” to press the shutter. ©Kit Frost

I climbed high along the Watchman trail, and set up this image.  Two hours later the light I was hoping painted across the scene.  Patience people.  ©Kit Frost

I climbed high along the Watchman trail, and set up this image. Two hours later the light I was hoping painted across the scene. Patience people. ©Kit Frost

 

Why go to Zion in the late fall?

  1. Autumn Color is at it’s height from mid-October through early November.
  2. Zion National Park is awesome year round but especially beautiful in it’s fall glory
  3. The Zion Shuttle system runs until November 3rd, 2013, it is a brilliant system for exploring the park, no need for your car once you get to the park.
  4. Cooler fall days make the steep hikes wonderful.
  5. It’s a quiet time of the year, less visitation than in the summer.
  6. Bring a bike, you can have the Canyon to yourself at times.
    Load up the bike on the shuttle bike rack, or walk from shuttle stop to shuttle stop.
  7. Amazing Photography locations throughout the park.

Tips for Photographing in Zion National Park

  1. Bring a tripod, 98% of my photos are made with a tripod, I like the slow, methodical way of composing images, the ability to choose slow shutter speeds, and deep depth of field.  Yes, you can choose to “up” the ISO but I prefer printing large, so I like low ISO settings, around 100-320.  A tripod is not simply about steady images, it’s also about the ability to refine my composition.
  2. Explore the park, watch the light move through the canyon. Take a round trip shuttle, getting off wherever you like, and set up an important composition.  Many digital camera users simply shoot lots of images, moving to the next location, repeat.  I like to come away with a few “scouted” images. I like to commit to a few great compositions, then plan for the best light.
  3. In October and November, the days are short, sunrise hits the narrow canyon at around 8am and sunset is at around 6pm, so plan accordingly, wear layers, scout your locations to be at the “right place, right time”.  The sun didn’t hit my campsite until 11am, so next year I’ll plan better for morning warmth at my “cafe”.
  4. I underexpose all of my images by at least 1/3 and sometimes 2/3 to hold detail in the highlights.
  5. Plan for post-production, as Ansel Adams would suggest, pre visualize your final print.

Iron like a Lion in Zion – Zion National Park, UT (travelpod.com)

Join me next year on a Photography Adventure of a Lifetime, in Zion National Park. October 26-30, 2014.  Right place, right time.

Here’s a time-lapse from my first morning at camp.  This series of 320 photos was made into a time lapse sequence using the Interval Timer setting on my Nikon D300. When I got back in the studio, I uploaded the images to Lightroom, edited each one of them to fix the sensor dust, then exported jpegs to iMovie for sequencing and additional story board.

Aspens are PEAKing in the San Juan Mountains

If you didn’t get a chance to get out and make photographs today, tomorrow will do, as will next week. Although I’ll call it “peak” color, and there are plenty of places to get your fill of Colorado Fall Foliage, there is still plenty of time.

Now in bloom:

  1. Near Durango Mountain Resort, Engineer Mountain, Lime Creek Road.
  2. Along the Hermosa Cliffs about 17 miles north of Durango.
  3. Just starting to peak at Haviland Lake
  4. You can find “pockets” of color everywhere in the San Juan Mountains.

Give yourself till next weekend for peak color making it’s way down to Durango.

The view looking northwest from Haviland Lake.  Yesterday's snow was sure to melt so I hit the road for sunrise this morning. ©Kit Frost

The view looking northwest from Haviland Lake. Yesterday’s snow was sure to melt so I hit the road for sunrise this morning. ©Kit Frost

Multicolor Fall Hues from Haviland Lake. ©Kit Frost

Multicolor Fall Hues from Haviland Lake. And YES, that’s digital dust on my sensor.  I was in a rush to get a report out today.©Kit Frost

 

Set your f-stop for a small aperture and take a few images of backlit aspens.  Along Hwy 550 North of Durango

Set your f-stop for a small aperture and take a few images of backlit aspens. Along Hwy 550 North of Durango

Just south of the Cascade Village. ©Kit Frost

Just south of the Cascade Village. The shadows on the corral are from the low sun behind me. ©Kit Frost

At Purgatory, Durango Mountain Resort, just after sunrise. ©Kit Frost

At Purgatory, Durango Mountain Resort, just after sunrise. I used a 300mm lens to compress the “space” and create a painterly feeling. ©Kit Frost

I was anxious to photograph the spruce fir with snow on them, as I knew our warmer, sunny day would melt the snow and "clump" it up.  8am today. ©Kit Frost

I was anxious to photograph the spruce fir with snow on them, as I knew our warmer, sunny day would melt the snow and “clump” it up. 8am today. ©Kit Frost