When I was a young girl, around 8 years old, my parents treated me to weekly painting lessons. In Bayonne, NJ, the name of the game was Miriam Brown. She taught children and adults how to paint. Following the Walter Foster painting books well known in the day, we picked a painting of his to copy. At the time, that was the best way to begin the journey, get familiar with the paints (and the smell), and work out some details with brushes.
I put painting aside for many years. I studied art in college, with an emphasis on jewelry, crafts, and then followed up with a masters degree in Art Education and fiber, weaving tapestry for many years. After an amazing career as an Art Teacher at Bayonne High School in NJ, I moved to Colorado to be closer to Navajo and Pueblo art, Santa Fe, the Grand Canyon and a host of muses.
As a sweet, generous, gift, a friend of mine treated me to Oil Painting lessons at Ghost Ranch in Abiquiu, New Mexico. Georgia Okeeffe country. A week of immersion in oils jump started my passion for painting once again. I learned plein-air (outdoor in natural light) painting from Michelle Chrisman, Michelle describes herself as a Contemporary Colorist; the reason I want to learn from her. Colorist’s give me permission to love color. Purple shadows, pink skies, coral colored red rock. Michelle’s work can be seen on her website and at the Joe Wade Gallery in Santa Fe.
Here’s an example of Michelle’s painting style. I love the loose color, and forms. I am inspired by her quick strokes of palette knives and the shadow and light she captures.
Michelle teaches the “limited” palette. Color mixing has become a real joy and I use the palette knife to mix. A limited palette consists of these colors:
- Cadmium Yellow
- Alizarin Crimson
- Ultramarine Blue
All other colors are mixed by combining those hues. And we added Res-en-gel to speed up drying of the oils. I don’t use mediums in the studio as I like to work a bit slower and to have the luxury of the slow drying time of oils.
I’ve added a few other colors to my palette too:
- Indian Yellow
- Cobalt Blue
The use of the palette knife and heavy application of paints means that I go through lots of paint. In some cases I buy Dick Blick brand, but mostly use Winsor Newton or Daniel Smith. I recently bought a palette box and installed glass in the bottom of it, I love this system and although at times I use a disposable palette, it’s too small for mixing from a limited palette of colors. The larger palette gives me plenty of room for my “puddles” of the mother colors, purple and orange. A box cutter helps to clean the palette, and I save my piles of color for another session.
A pochade box is on my wish list, but for now I’m using a french style easel in the field. In the studio I have a large easel as I like to paint 20×24 or larger. For plein-air, Guerrilla painter makes a sweet oil painting drying box and carrying case, so much better than trying to get paintings home in my car…wet. You can only imagine what my car looked like after two weeks of painting outdoors! Pizza boxes work for storing wet paintings too! Get the wet painting carrier. I have the 11×14, and it holds both panels and stretched canvas. Next purchase, the 12×16 size.