2

Fall Color Photography Lessons, 2015

Learn to Photograph Fall Color in Colorado

October 4-6, 2015, Join us for one or all days!

Let us teach you how to photograph grand landscapes like this one between Durango and Silverton, Colorado. ©Kit Frost

Let us teach you how to photograph grand landscapes like this one between Durango and Silverton, Colorado. ©Kit Frost

Our Colorado Fall Color Photography Workshop takes place in the San Juan Mountains.  Round-trip from Durango, we take you to our favorite grand and intimate scenic locations throughout Southern Colorado, stopping along the way to teach lessons such as:

  • Composition for the Grand Colorado Landscapes
  • Photographing Aspens in the Forest
  • Patterns and Textures of Aspen
  • Working with Depth of Field and Shutter Speed.
  • We make sure you’re familiar and comfortable with YOUR camera.
Photographing in and around aspen forests is a fun, learning experience on our Fall Color Workshop. ©Kit Frost

Photographing in and around aspen forests is a fun, learning experience on our Fall Color Workshop. ©Kit Frost

Day One finds us exploring the landscapes, light and aspens between Durango and Ouray, we explore locations for lessons at the Pigeon, Turret view, along Lime Creek Road, Molas Pass, and then on to the glorious Red Mountain Pass to Ouray (the Switzerland of America).

Skills learned:

  1. How to properly use YOUR camera to combine f-stop, shutter and ISO to make your images sing.  Discussion of what makes a good photo into a great photo.
  2. Aperture control for depth of field
  3. Shutter control for those “quaking” aspen.
  4. Choosing back-lighting, front, and side lighting to improve your photography

Day Two we travel up and along Owl Creek Road to Silver Jack Reservoir.  The Cimmaron Mountains are our backdrop as we explore “near-far” relationships in the autumn landscape.  At sunset we will photograph the Sneffels Range from Dallas Divide, a must see fall scene in Colorado. Learn what composition skills are needed to isolate beauty in the “big” scene.

Skills learned:

  1. Using leading lines in your photos.
  2. Create near-far compositions and learn to select the proper f-stop
  3. Working with exposure compensation (+-)
It's always surprising to see the mix of color in our golden aspen forests. Let the landscape show off to you and photograph this awesome display. ©Kit Frost

It’s always surprising to see the mix of color in our golden aspen forests. Let the landscape show off to you and photograph this awesome display. ©Kit Frost

Day Three:  After an early check out of our accommodations, we continue chasing the fall color and mountain compositions that “call our names”.  We continue to teach you to improve your photography skills.  Digital video instruction (optional) will be demonstrated as we make our way through the mountains, creating short video clips of your adventure, the forests, time lapse of the grand and intimate scenes.  This workshop ends after lunch on Wednesday, October 6.

The Amazing Autumn Color  of Red Mountain Pass

The Amazing Autumn Color of Red Mountain Pass

Tuition and Accommodations

Accommodations in Ouray are at the newly remodeled Matterhorn Motel.  Once registered for our Fall Color Photo Workshop, we’ll pass along more information about suggested gear, clothing. Click here for Kit’s suggestions for adventure gear.

Tuition, includes expert photography instruction, accommodations, light beverages and lunch at our photo locations. $1298.

Dinner will be at restaurants in Ouray or Ridgway. (costs not included)

For more information about fall color in Colorado.

And Why Leaves Change Color

And while in Durango.

Join us for our Adobe Lightroom class after your workshop,

Learn to upload, edit and sequence, title and add music to YouTube and Facebook videos.

0

Follow Your Muse in Our National Parks

Reflections

I wrote a few blog posts with information about applying for the Artist in Residence programs at our National Parks.  And I’ve blogged a bit while at Crater Lake and Acadia National Parks.

And here’s a terrific time lapse by a young artist who worked for 6 months on this project: Downeast: Acadia National Park, Schoodic Peninsula.  I share because I’m completely inspired.  And part of any residency is to explore what others have created.  Thanks Tade Yoder.

I thought readers might enjoy a bit of information about once chosen, what is involved in an Art Residency.

Following the Muse

More than anything else, a residency is a gift of time; time away from everyday distractions.  Although much of my life is spent following my bliss, a typical day in residence differs from my life at home.  The biggest difference is I’m solo.  I enjoy solitude, as I hope you do if you plan to apply for Art Residencies. I see comfort with self-scheduling to be imperative and fun.  For two to four weeks the immersion in the land, the connection with the light, the calling of the sea, the forest, the lake, the sky, and setting a pace that honors those connections is the primary focus.

I can’t say there is a typical day, but generally, I wake up when ready, check email and social networks over a cup of coffee, evaluate the sky, write a bit, head to the studio or on location and follow my bliss.  What is my bliss?  Responding to my inner artist, the voice that tells me where to photograph, hike, explore, watch rocks grow old, enjoy waves pounding the coast.  Some days I head to my favorite (so far) trail, with my iPhone as my sketchbook.  On other days, I walk to the studio, where I paint. And in the past few days I have played with drawing and made some watercolor and oil pastel sketches too.

And as part of the residency, a requirement is to share with the local communities, to show work or to teach.  I taught at a middle school and the young artists responded very well to the inspiration and lessons.  I was thrilled to be in the classroom again. More to follow about that.

This week at Acadia National Park

A few days ago I woke up to fog, so quickly grabbed rain gear and headed for the coast.

Fog on the Coast of Maine

My next mission at this location is high tide. I’d love to see a strong, incoming tide prove to me how this coastal scene was formed. ©Kit Frost

And last night, as the sun approached the horizon, about 2 hours before setting, I scouted at Schoodic Point.  Initially I was hoping to photograph the incoming tide, but instead, I responded to the pools of water left behind after a recent rain.

A favorite subject, working with reflections. Pools of rainwater reflect the pink granite of the Maine Coast ©Kit Frost

A favorite subject, working with reflections. Pools of rainwater reflect the pink granite of the Maine Coast ©Kit Frost

Here’s a link to some more work created while in residency at Schoodic Peninsula, in Acadia National Park.

Next blog: What I’ve learned, and giving back to our Parks.

4

Artist in Residence: Acadia National Park

Screenshot 2015-06-02 09.40.30

The Adventure begins

I don’t like to fly.  It’s inconvenient, stressful, boring, frustrating and leaves me feeling powerless. But, since surgery in March, hip replacement, I’ve driven 3700 miles round trip from Durango to Crater Lake National Park for my first Artist Residency.  I advise against driving long distances one month after surgery!  Even with cruise control, driving was painful, and camping even more challenging.

It’s not that I didn’t prep for the journey.  In fact, I was devoted to physical therapy after surgery.  But choosing to drive with my right hip recovering is what I call self-will to the max.  Although my surgeon (who rocks) gave me the go ahead, in retrospect I could have made a different decision.  I rested after every 75-100 miles and took 8 days to get to Oregon, and I don’t regret a minute of the trip, but learned from it.

Artist in Residence: Crater Lake National Park, May 2015

There's nothing quite like seeing the sky reflected in Crater Lake.

There’s nothing quite like seeing the sky reflected in Crater Lake.

My original plan was to drive up to Crater Lake National Park for the two week Artist in Residence program at the Park and then drive across country to my next gig at Acadia National Park.  The idea was to have my own car, with all my art and photography gear packed, my bike aboard, and camping along the way, resting when needed, really appealed to me.  But then there’s that hip replacement. As a result of a consultation with my mother, all that changed.  Yesterday I flew to Maine.

Air Travel with Camera Gear and Art Supplies

I shipped most of my art supplies, and my carry-on consisted of my camera gear and electronic equipment: macbook pro, battery chargers.  Although I have a carry-on sized for the airlines, the new procedure of checking carry-on at the plane if the overhead bins are small or full is frustrating.  I didn’t want to risk having my camera gear broken, so I stuffed my camera bag and laptop inside my rolling baggage while in the airports: Durango, Denver, Chicago, Portland, and then carried on just the camera bag and laptop, and curbside checked the empty luggage.

In years past, whenever I travelled by air with my camera gear, it wasn’t a big hassle.  I would carry on my camera gear, and check my tripod and luggage, but at $25 per bag it can add up. So I bought a new tripod, and had it shipped to Acadia, instead of adding that to my carry on. My checked luggage also had art supplies, pochade box, oil pastels, tripod head and clothing and shoes.  It was a hassle, the shipping cost me plenty, the final leg of travel was delayed for two hours, but now I am sitting in a motel in Brunswick, Maine.  And the rental car is outside of my room.  I will re-pack today, and head out to Rockport, Maine where I’ll stay with friends for a few days before driving up (down) east to Winter Harbor.

The Interpretive Ranger at Acadia may be able to lend me a bike.  That’s the one thing I was unable to stuff in my carry-on.  And I’ll be at Schoodic Institute from June 5-25 making art, hiking, biking and exploring the secrets of Acadia.  I’m thrilled, excited, honored and ready to roll.

This is what it’s all about

I’ve spent time at the Bar Harbor area of Acadia, brought students to Otter Cliffs and Thunder Hole for photography lessons, but this is the first time I will be at the Schoodic Institute with access to the Winter Harbor (said with a Maine accent) section of the Park.  I will be housed in a fully equipped, apartment at Schoodic.  I look forward to the inspiration of the land, sea, weather, and sky.

Follow along on this excellent art adventure.  I’ll post photos and time lapse videos and tell the stories as I join a long line of artists who practiced their craft in recognition and support of our National Parks.

Here’s a link to my recent series of blog posts

And some current images, created during June 2015, Artist Residency, Acadia National Park

An article about the Artist in Residence Program at Acadia.

3

Crater Lake: Photographing the Moods of a Landscape

Photographing the Moods of a Landscape

While here at Crater Lake National Park I’ve been blessed with a wide range of light, clouds, weather and the luxury of photographing whenever the spirit moves me (and the muse strikes). Last week, the first week of my residency, the sky was what I normally call “boring blue sky”. But my experience here is that the lake is stunning when the sky is blue, with lots of deep, clear water and the sky reflected. It was great to open my eyes to the idea of photographing a big blue lake with a big blue sky.

There's nothing quite like seeing the sky reflected in Crater Lake.

There’s nothing quite like seeing the sky reflected in Crater Lake.

I made this

I made this “sketch” with my iPhone.

As the days flew by, the weather became more interesting for me.  Artistically I am inspired by clouds and cloud shadows, cast shadows on the snow, incoming and clearing storms, and the mountain hemlock, and whitebark pine.

I enjoy incoming and clearing storms. I photographed a series of images and created a time lapse sequence too.

I enjoy incoming and clearing storms. I photographed a series of images and created a time lapse sequence too.

Each visit to the rim, I was able to capture the changing color of the lake, and the clouds pouring white over the surrounding cliffs.

Each visit to the rim of Crater Lake inspired me, as the lake and landscape was ever changing.

The cliffs surrounding Crater Lake inspired me, as the lake and landscape was ever changing.

Hillman and Lookout Peaks, with Wizard Island.

Hillman and Lookout Peaks, with Wizard Island. I was hoping to know the land forms, trees and rocks by name during this residency.

I knew there was a possibility the sun would light up below the snow and fog.

I knew there was a possibility the sun would light up below the snow and fog.

I photographed while protecting my camera lens under my umbrella during this dusting of snow.

I photographed while protecting my camera lens under my umbrella during this dusting of snow.

And throughout the two week residency, I have been created time lapse sequences of each of the compositions that inspire me.  I set up my tripod, compose, and use the intervalometer of my Nikon gear.

Honored to be chosen as one of the May 2015 Artist’s in Residence, I have been given the opportunity, time and access to photograph at Crater Lake National Park. This video is a collection of time lapse photographs put together to show the Changing Moods of Crater Lake.

In most cases, the images were created at 5 second intervals, sometimes up to 300 photos at a time.

0

Crater Lake: It’s Raining Cloud Shadows

It's fun to play with the panoramic mode using my iPhone.

It’s fun to play with the panoramic mode using the iPhone. But when I see these kind of clouds, I run for my Nikon gear.

The Luxury of Time

I can’t really say there is a typical day at Crater Lake National Park. The luxury of time afforded by the Artist in Residence program allows me to follow my bliss.  One morning I woke up before sunrise and did some painting, another day I began with a period of meditation, and I often have an oil painting in progress.  Primarily I start the day with a good cup of coffee.

Today, while meditating, I spied the clouds in the sky.  I knew a storm was coming in and hoped for cumulus clouds over Crater Lake.  Since I don’t know the storm and light patterns up here in Oregon, I scout photography locations many times during each day.  Typically I use my iPhone when scouting and then return to the subject with my favorite camera gear and tripod. Unless of course, the light is perfect, then I take it all seriously and get er done.

A Double Tripod Kind Of Day


As Crater Lake’s current Artist in Residence I am experiencing the luxury of daily photography adventures along the rim.

I drove up to Crater Lake three separate times today.  My first mission was to set up my wide angle lens for a time lapse.  I really enjoy cloud shadows, and time lapse image making is the perfect way for me to capture a series of images.  The first location today was fun, and the time lapse of 400 images at 5 second intervals lasted 33 minutes.  I enjoyed a little walk while the photos were being made, but I also needed to stick close as the wind was gusting at 15-20mph.  I strapped my camera bag to the tripod to weigh it down.  While the time lapse was in progress, I set up my second tripod for more image making. Double fisted, three camera, kinda day.

I’m going with the flow, I feel charged up, inspired, and blessed to be gifted with this residency.